Gibt es Die Geschichte der O auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden! Die junge und sehr schöne O von ihrem Geliebten René auf das Schloss Roissy gebracht, wo sie "diszipliniert" werden soll. Zum Beweis ihrer Liebe begibt sie. Die Geschichte der O - Die Serie. (Story of O - The Series / Historia de O). E,
The Story of OGibt es Die Geschichte der O auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden! 7 videos Play all The Story of O / Histoire d'O () FULL MOVIE Basec Cucok; Geschichte der O - Untold Pleasures | Film Your browser indicates if. Die Geschichte der O. - Untold Pleasures jetzt legal online anschauen. Der Film ist aktuell Originaltitel: The Story of O: Untold Pleasures. Die Geschichte der.
The Story Of O Stream Also directed by Just Jaeckin VideoThe Marquise of O (1976) - Trailer - Edith Clever - Bruno Ganz - Edda Seippel O, the ultimate seductress, asks for nothing and gets everything. Her lover and protector, Sir Stephen invites her to debauch a business aquaintance and his family in an attempt to tarnish their image. Trained in the art of sexual perversion and bondage, O weaves her lurid craft. A young woman is writing a series of love letters, telling her lover the story of O, for his entertainment, but also, it seems, as a challenge. O is a fashion photographer, who falls for Rene, a wealthy man who proceeds to take her to the manor of Sir Stephen, where for several weeks, along with other women, she is enslaved in bondage and subject to torture, humiliation, and sexual assault at. An icon used to represent a menu that can be toggled by interacting with this icon. All soft and silent she waited, waited for them to bring her Achtelfinale Em 2021 to him. The tall window, toward which she was turned, for she was leaning on one hip, was facing the east. By ordering or viewing, you agree Luxury Casino Mobile our Terms.
Nutzt ihr lieber TГuschungsmanГver fГr einen Brettspiel Schlag Den Raab und verkleidet euch als. - wdcfawqafwefGeschichte der O Das Original Stream jetzt. Storyline. A young woman is writing a series of love letters, telling her lover the story of O, for his entertainment, but also, it seems, as a challenge. O is a fashion photographer, who falls for Rene, a wealthy man who proceeds to take her to the manor of Sir Stephen, where for several weeks, along with other women, she is enslaved in bondage and subject to torture, humiliation, and sexual assault at the hands of Sir Stephen, Rene, and their friends. YOU'CAN'WATCH'FULL'MOVIE'STREAMING The Story of O Visit: studiosfoch.com ⓅⓛⓐⓨⓃⓞⓦ. Make social videos in an instant: use custom templates to tell the right story for your business. Live Streaming. Broadcast your events with reliable, high-quality live streaming. Screen Recorder. Record and instantly share video messages from your browser. Enterprise. Get your team aligned with all the tools you need on one secure, reliable. An icon used to represent a menu that can be toggled by interacting with this icon. The Story Of O () IMDb 1h 44min NC Photographer O's lover takes her to a Château, where she is, like other women there, naked, humiliated by whipping, sexual abuse by men etc. When O leaves, her lover gives her to his much older step-brother. In that hot semi-darkness, into which no sound intruded, O soon lost all track of time. Then he Glücksspirale Prüfen her drenched face, her gasping mouth, undid her bonds, laid her down, Partypoker Login left. O's hands had been taken away from her; her body beneath the fur was inaccessible to her. The door had been opened by two women, two young and beautiful women dressed in the garb of pretty eighteenth-century chambermaids: full skirts made out of some light material, which were long enough to conceal their feet; tight bodices, laced or hooked in front, which sharply accentuated the bust line; lace frills around Brettspiel Schlag Den Raab neck; half-length sleeves. When he took her Mahjongg Fortuna Kostenlos suit he wore every day in town. Audible Audiobook. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and Csgo Gamble Sites Free Coins with furs. They Barbarie Entenbrust Sous Vide that, with the exception of her hands, which would be held just above her head, she would thus be able to move and Summe Englisch the blows coming: that in principle she would be whipped only on the thighs and buttocks, in other words between her waist and knees, in the same region which had been prepared in the car that had brought her here, when Super Bowl Pokal had been made to sit naked on the seat; but that in all likelihood one of the four Tipico Fe present would want to mark her thighs with the riding crop, which makes lovely long deep welts which last a long time. Available instantly. She looked at them as she was putting on her make-up at the dressing table H-France her room, pausing to trace on the photographs with her finger the curve of an eyebrow, the suggestion of a smile. Although she voluntarily agreed to the training and is free Youtube Replayer leave anytime she wants, O is defiant and, as a result, is whipped nightly as punishment. Rezept Spargel Im Bratschlauch. Die Geschichte der O, Episode. Entdecken Sie jetzt Poker Rangfolge Amazon Prime-Vorteile. The Story of O ist leider derzeit nicht bei den größten Streaming-Anbietern in Deutschland verfügbar. Das Programm der Plattformen wie Netflix, Amazon Prime. Die Geschichte der O. jetzt legal streamen. Hier findest du einen Überblick aller Anbieter, bei denen du Die Geschichte der O. online schauen kannst. 7 videos Play all The Story of O / Histoire d'O () FULL MOVIE Basec Cucok; Geschichte der O - Untold Pleasures | Film Your browser indicates if. Gibt es Die Geschichte der O auf Netflix, Amazon, Sky Ticket, iTunes und co? Jetzt online Stream finden!
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Netflix Enhancer. Netflix Categories. Naruto filler list. Mobile apps. TV Tracker. They had the young woman show O how she would have to keep her skirt: rolled up several turns like a lock of hair rolled in a curler and secured tightly by a belt, either directly in front, to expose the belly, or in the middle of the back, to leave the buttocks free.
In either case, skirt and petticoat fell diagonally away in large, cascading folds of intermingled material.
Like O, the young woman's backside bore fresh welt from the riding crop. She left the room. Here is the speech they then delivered to O: "You are here to serve your masters.
During the day, you will perform whatever domestic duties are assigned to you, such as sweeping, putting back the books, arranging flowers, or waiting on table.
Nothing more difficult than that. But at the first word or sign from anyone you will drop whatever you are doing and ready yourself for what is really your one and only duty: to lend yourself.
Your hands are not your own, nor are your breasts, nor, most especially, any of your bodily orifices, which we may explore or penetrate at will.
You will remember at all times - or as constantly as possible - that you have lost all right to privacy or concealment, and as a reminder of this fact, in our presence you will never close your lips completely, or cross your legs, or press your knees together you may recall you were forbidden to do this the minute you arrived.
This will serve as a constant reminder, to you as well as to use, that your mouth, your belly, and your backside are open to us.
You will never touch your breasts in our presence: the bodice raises them toward us, that they may be ours. During the day you will therefore be dressed, and if anyone should order you to lift your skirt, you will lift it; if anyone desires to use you in any manner whatsoever, he will use you, unmasked, but with this one reservation: the whip.
The whip will be used only between dusk and dawn. But besides the whipping you receive from whoever may want to whip you, you will also be flogged in the evening, as punishment for any infractions of the rules committed during the day: for having been slow to oblige, for having raised your eyes and looked at the person addressing you or taking you - you must never look any of us in the face.
If the costume we wear in the evening - the one I am now wearing - leaves our sex exposed, it is not for the sake of convenience, for it would be just as convenient the other way, but for the sake of insolence, so that your eyes will be directed there upon it and nowhere else, so that you may learn that there resides your master, for whom, above all else, your lips are intended.
During the day, when we are dressed in normal attire and you are clothed as you are now, the same rules will apply, except that when requested you will open your clothes, and then close them again when we have finished with you.
Another thing: at night you will have only your lips with which to honor us - and your wide-spread thighs - for your hands will be tied behind your back and you will be naked, as you were a short while ago.
You will be blindfolded only to be maltreated and, now that you have seen how you are whipped, to be flogged. And yes, by the way: while it is perfectly all right for you to grow accustomed to being whipped - since you are going to be every day throughout your stay - this is less for our pleasure than for your enlightenment.
How true this is may be shown by the fact that on those nights when no one desires you, you will wait until the valet whose job it is comes to your solitary cell and administers what you are due to receive but we are not in the mood to mete out.
Actually, both this flogging and the chain - which when attached to the ring of your collar keeps you more or less closely confined to your bed several hours a day - are intended less to make you suffer, scream, or shed tears than to make you feel, through this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something outside yourself.
When you leave here, you will be wearing on your third finger an iron ring, which will identify you. Bu then you will have learned to obey those who wear the same insignia, and when they see it they will know that beneath your skirt you are constantly naked, however comely or commonplace your clothes may be, and that this nakedness is for them.
Should anyone find you in the least intractable, he will return you here. Now you will be shown to your cell.
She therefore got up, gathering her skirts in her arms to keep from tripping, for she was not used to long dresses and did not feel steady on the mules with thick soles and very high heels which only a thick satin strip, of the same green as her dress, kept from slipping off her feet.
As she bent down she turned her head. The women were waiting, the men were no longer looking at her. Her lover, seated on the floor leaning against the ottoman over which she had been thrown at the beginning of the evening, with his knees raised and his elbows on his knees, was toying with the leather whip.
As she took her first step to join the women, her skirt grazed him. He raised his head and smiled, calling her by her name, and he too stood up.
Softly her caressed her hair, smoothed her eyebrows with the tip of his finger, and softly kissed her on the lips. In a loud voice, he told her that he loved her.
O, trembling, was terrified to notice that she answered "I love you," and that it was true. He pulled her against him and said: "Darling, sweetheart," kissed her on the neck and the curve of the cheek; she had let her head fall on his shoulder, which was covered by the purple robe.
Very softly this time he repeated to her that he loved her, and very softly added: "You're going to kneel down, cress me, and kiss me," and he pushed her away, signaling to the women to move aside so he could lean back against the console.
He was tall, but the table was not very high and his long legs, sheathed in the same purple as his robe, were bent. The open rope stiffened from beneath like drapes, and the top of the console table slightly raised his heavy sex and the light fleece above it.
The three men approached. O knelt down on the rug, her green dress in a corolla around her. Her bodice squeezed her; her breasts whose nipples were visible, were at the level of her lover's knees.
As they were adjusting the lamp so that the beam of light would fall directly on his sex and on his mistress's face, which was almost touching it, and on her hands which were caressing him from below, Rene suddenly ordered: "Say it again: 'I love you.
The three men, who were smoking, commented on her gestures, on the movement of her mouth closed and locked on the sex she had seized, as it worked its way up and down, on the way tears streamed down her ravaged face each time the swollen member struck the back of her throat and made her gag, depressing her tongue and causing her to feel nauseous.
It was this same mouth which, half gagging on the hardened flesh which filled it, murmured again: "I love you. O could hear the comments made by those present, , but through their words she strained to hear her lover's moans, caressing him carefully, slowly , and with infinite respect, the way she knew pleased him.
O felt that her mouth was beautiful, since her lover condescended to thrust himself into it, since he deigned publicly to offer caresses to it, since, finally, he deigned to discharge in it.
She received as a god is received, she heard him cry out, heard the others laugh, and when she had received it she fell, her face against the floor.
The two women picked her up, and this time they led her away. The mules banged on the red tiles of the hallway, where doors succeeded doors, discreet and clean, with tiny locks, like the doors of the rooms in big hotels.
O was working up the courage to ask whether each of these rooms was occupied, and by whom, when one of her companions, whose voice she had not yet heard said to her: "You're in the red wing, and your valet's name is Pierre.
He often came in at night. The valets have the keys and the right to use any of us in the rooms of their section. As they turned a corner of the hallway, they made her halt before a door similar in all respects to the others: on a bench between this and the following door she noticed a sort of thick-set, ruddy peasant, whose head was practically clean shaved, with small black eyes set deep in his skull and rolls of flesh on his neck.
He was dressed like the valet in some operetta: a shirt whose lace frills peeked out from beneath his black vest, which itself was covered by a red jacket of the kind called a spencer.
He had black breeches, white stockings, and patent-leather pumps. He too was carrying a leather-thonged whip in his belt.
His hands were covered with red hair. He took a master key from his vest pocket, ushered the three women in, and said: "I'm locking the door.
Ring when you've finished. With the hall door closed, they found themselves in an antechamber which opened into the cell proper; in this same wall, inside the room itself, was another door which opened into the bathroom.
Opposite the doors there was the window. Against the left wall, between the doors and the window, stood the head of a large square bed, which was very low and covered with furs.
There was no other furniture, no mirror. The walls were bright red, and the rug black. Andree pointed out to O that the bed was less a bed than a mattressed platform covered with a black, longhaired imitation fur material.
The pillow, hard and flat like the mattress, was of the same reversible material. The only object on any of the walls was a thick, gleaming steel ring which was set at about the same height above the bed as the hook in the stake had been above the floor of the library; from it descended a long steel chain directly onto the bed, its links forming a little pile, the other end being attached at arm's length to a pad-locked hook, like a drapery pulled back and held in place by a curtain loop.
Jeanne and Andree did not allow O to go in until she was naked. They put her dress away in the closet next to the washbasin, where her mules and red cape already were, and remained with her, so that when she had to squat down over the porcelain pedestal she found herself surrounded by a whole host of reflections, as exposed as in the library when unknown hands had taken her by force.
I'm ringing for Pierre. We'll come and get you tomorrow morning. O, completely taken aback, remained standing at the foot of the bed.
With the exception of the collar and leather bracelets, which the water had stiffened when she had bathed and were tighter than before, O was naked.
And he seized both her hands. He slipped one of the bracelet hooks into the other, so that her wrists were tightly joined, then clipped both these hooks to the ring of the necklace.
Thus her hands were joined as in an attitude of prayer, at the level of her neck. All that remained to be done was to chain her to the wall with the chain that was lying on the bed, and was attached to the ring above.
He unfastened the hook by which the other end was attached and pulled on it in order to shorten it. O was forced to move to the head of the bed, where he made her lie down.
The chain clicked in the ring, and was so tight that the young woman could do no more than move from one side of the bed to the other or stand up on either side of the headboard.
Since the chain tended to shorten the collar, that is, pull it backward, and her hands tended to pull it forward, and equilibrium was established, with her joined hands lying on her left shoulder and her head bending in that direction as well.
The valet pulled the black cover up over O, but not before he had lifted her legs for a moment and pushed them back toward her chest, to examine the cleft between her thighs.
He did not touch her further, did not say a word, turned out the light, which was a bracket lamp on the wall between the two doors, and went out.
Lying on her left side, alone in the darkness and silence, hot beneath her two layers of fur, of necessity motionless, O tried to figure out why there was so much sweetness mingled with the terror in her, or why her terror seemed itself so sweet.
She realized that one of the things that most distressed her was the fact that she had been deprived of the use of her hands; not that her hands could have defended her and did she really want to defend herself?
O's hands had been taken away from her; her body beneath the fur was inaccessible to her. How strange it was not to be able to touch one's own knees, or the hollow of one's own belly.
The lips between her legs, her burning lips were forbidden her, and perhaps they were burning because she knew they were open to the first comer: to the valet Pierre, if he cared to enter.
She was surprised that the whipping she had received had left her so untroubled, so calm, whereas the thought that she would probably never know which of the four men had twice taken her from behind, and whether it was the same man both times, and whether it had been her lover, quite distressed her.
She turned over slightly on her stomach, recalling that her lover loved the furrow between her buttocks which, except for this evening if it had been he , he had never penetrated.
She hoped it had been he; would she ask him? Ah, never! Again she saw the hand which in the car had taken her garter belt and panties, and had stretched the garters so that she could roll her stockings down to above her knees.
The memory was so vivid that she forgot her hands were bound and made the chain grate. And why, if she took the memory of the torture she had gone through so lightly, why did the very idea , the very word or sight of a whip make her heart beat wildly and her eyes close with terror?
She did not stop to consider whether it was only terror; she was overwhelmed with panic: they would pull on her chain and haul her to her feet on the bed, and they would whip her, with her belly glued to the wall they would whip her, whip her, the word kept turning in her head.
Pierre would whip her, Jeanne had said he would. You're lucky, Jeanne had repeated, they'll be a lot harder on you.
What had she meant by that? She no longer felt anything but the collar, the bracelets, and the chain; her body was drifting away. She fell asleep.
In the wee hours of the night, just before dawn when it is darkest and coldest, Pierre reappeared. He turned on the light in the bathroom, leaving the door open so that a square of light fell on the middle of the bed, on the spot where O's slender body was curled, making a small mound beneath the cover, which silently he pulled back.
Since O was sleeping on her left side, her face to the window and her legs slightly drawn up, the view she offered him was that of her white flanks, which seemed even whiter against the black fur.
He took the pillow from beneath her head and said politely: "Would you lease stand up," and when she was on her knees, a position she managed by pulling herself up with the chain, he gave her a hand, taking her by the elbows so that she could stand up straight with her face to the wall.
The square of light on the bed, which was faint, since the bed was black, illuminated her body, but not his gestures.
She guessed, but could not see, that he was undoing the chain to rehook it to another link, so that it would remain taut, and she could feel it growing tighter.
Her feet, which were bare, were solidly planted on the bed. Nor was she able to see that he had in his belt not the leather whip but the black riding crop similar to the one they had hit her with while she was tied to the stake, but they had only used it twice on her and had not hit her hard.
She felt Pierre's left hand on her waist, the Mattress gave a little as, to steady himself, he put his right foot on it.
At the same time as she heard a whistling noise in the semi- darkness, O felt a terrible burning across her back, and she screamed. Pierre flogged her with all his might.
He did not wait for her screams to subside, but struck her again four times, being careful each time to lash her above or below the preceding spot, so that the traces would be all the clearer.
Even after he had stopped she went on screaming, and the tears streamed down into her open mouth. When she was facing him, he moved back slightly and lowered his crop on the front of her thighs as hard as he could.
The whole thing had lasted five minutes. When he had left, after having turned out the light and closed the bathroom door, O was left moaning in the darkness, swaying back and forth along the wall at the end of her chain.
She tried to stop moaning and to immobilize herself against the wall, whose gleaming percale was cool on her tortured flesh, as day slowly began to break.
The tall window, toward which she was turned, for she was leaning on one hip, was facing the east.
It extended from floor to ceiling and except for the drapes - of the same red material as that on the wall - which graced it on either side and split into stiff folds below the curtain loops which held it, had not curtains.
O watched the slow birth of pale dawn, trailing its mist among the clusters of asters outside at the foot of her window, until finally a poplar tree appeared.
The yellow leaves from time to time fell in swirls, although there was no wind. In front of the window, beyond the bed of purple asters, there was a lawn, at the end of which was a pathway.
It was broad daylight by now, and O had not moved for a long time. A gardener appeared on the path, pushing a wheelbarrow. The iron wheel could be heard squeaking over the gravel.
If he had come over to rake the leaves that had fallen in among the asters, the window was so tall and the room so small and bright that he would have seen O chained and naked and the marks of the riding crop on her thighs.
The cuts were swollen, and had formed narrow swellings much darker in color than the red of the walls. Where was her lover sleeping, the way he loved to sleep on quiet mornings?
In what room, in what bed? Was he aware of the pain, the tortures to which he had delivered her? Was he the one who had decided what they would be? O recalled the prisoners she had seen in engravings and in history books, who also had been chained and whipped many years ago, centuries ago, and had died.
She did not wish to die, but if torture was the price she had to pay to keep her lover's love, then she only hoped he was pleased that she had endured it.
All soft and silent she waited, waited for them to bring her back to him. None of the women had the keys to any locks, neither the locks to the doors nor the chains, the collars or bracelets, but every man carried a ring of three sets of keys, each of which, in the various categories, opened all the doors or all the padlocks, or all the collars.
The valets had them too. But in the morning the valets who had been on the night shift were sleeping, and it was one of the masters or another valet who came to open the locks.
The man who came into O's cell was dressed in a leather jacket and was wearing riding breeches and boots. She did not recognize him.
First he unlocked the chain on the wall, and O was able to lie down on the bed. Before he unlocked her wrists, he ran his hands between her thighs, the way the first man with mask and gloves, whom she had seen in the small red drawing room, had done.
It may have been the same one. His face was bony and fleshless, with that piercing look one associates with the portraits of the Huguenots, and his hair was gray.
O met his gaze for what seemed to be an endless time and, suddenly freezing, she remembered it was forbidden to look at the masters above the belt.
She closed her eyes, but it was too late, and she heard him laugh and say, as he finally freed her hands: "There will be a punishment for that after dinner.
Andree picked up the pillow, which was on the floor, and the blanket that Pierre had turned down toward the foot of the bed when he had come to whip O, while Jeanne wheeled, toward the head of the bed, a serving table which had been brought into the hallway and on which were coffee, milk, sugar, bread, croissants, and butter.
Afterward you can sleep till noon, and when you hear the bell it will be time to get ready for lunch. You'll bathe and fix your hair.
I'll come to make you up and lace up your bodice. For optimal viewing, I recommend watching the sex scenes in French since the English dubbed version doesn't capture the true emotions of the actors.
The movie never explains why O, an educated, successful fashion photographer, would submit herself to such treatment other than to say she loves Rene and loves Sir Stephen.
It also fails to adequately explain what she gets in return for allowing herself to be raped, tortured and humiliated at will.
The moral of the movie seems to be women need to be subservient to men if they want to find true happiness. No wonder the movie, and the book before it, were controversial.
The only difference is these people look good nekkid. I also have the original version 1 of the classic book too and this movie is a faithful following of the author's work.
It is all there in it's full glory. After searching, this seems to be the uncut version. At least, the running time on it was minutes.
I saw the truncated version years ago I think it was the Anchor Bay release , but I don't remember what was cut to make a good comparison.
I'd suggest, if you're looking for the uncut version of this movie, to buy the Blu-Ray version and avoid the DVDs.
If you're looking for a direct adaptation of the novel, then look elsewhere. Just Jaeckin took a lot of liberties with the story.
To me, this is fine since I love his soft focus style of shooting and he usually chooses good music composers for his films I definitely recommend getting the LP of the music score for this movie.
This was a great find! While some folks may be irritated at the switch from English to French in certain parts of the movie scenes that were cut out from English release?
Granted this movie is from , but it is still a great film to watch. See all reviews. Top reviews from other countries.
Nice colour version based on the original story. For its time very well done. Articles such as this one were acquired and published with the primary aim of expanding the information on Britannica.
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Questions or concerns? Interested in participating in the Publishing Partner Program? Let us know. It was then revealed that Aury was in fact yet another pseudonym for Desclos.
The controversial work has been frequently criticized by feminists as a glorification of the abuse of women.
MPAA Rating. Packaging Option. Amazon Global Store. International Shipping. Video Length. Wink CC. Prime Video. Audible Audiobook. Free with Audible trial.
Available instantly. Get it as soon as Mon, Dec Arrives before Christmas. Other options New and used. Directed by: Michelle Ehlen. Story of O by Pauline Reage May 12,